McIntosh showcased his latest works at a solo exhibition in this special venue as part of the world famous Edinburgh International Fringe Festival.21 March - 17 April 2008
Scottish Society of Artists annual exhibition
The Royal Scottish Academy, The Mound, Edinburgh (Map)
McIntosh’s stunning landscape in zinc, ‘Munro's’, (see below) was submitted and selected to be hung at the Scottish Society of Artists 's 110th exhibition held in the RSA building in the Mound.

Munros
8 -14 February 2008
'Readymade'
The Dundas Street Gallery, 6a Dundas Street, Edinburgh
(Map)
McIntosh’s third exhibition in Edinburgh revealed further exploration of the "readymade" theme which presented a diverse range of subject matter: landscapes, abstract and representational. This collection of mounted assemblage art was created from the undisguised but often modified materials found in industrial settings, such as copper coils and tarnished metals.
For a virtual tour of the exhibition, click here.
25 May 2007
'Compressed'
Café Camino, St Mary's Cathedral, Edinburgh
(Map)
At his second Edinburgh exhibition in 25th May 2007, McIntosh showcased paint-splashed coils, brightly polished copper and imaginatively sculpted found materials that wowed visitors. Among the pieces on display was a exploratory piece called "Curly Wurly" which utilizes industrially compressed copper pipes, and a mounted bail of crushed aluminium cans, scratched until it sparkles. Textured and painted lead and zinc pieces also fired up the visitor's imaginations. The copper assemblage "So long, and thanks for all the hot water" was a popular talking point.
For a virtual tour of the exhibition, click here.
August 2006
'Torn & Tangled'
Café Camino, St Mary's Cathedral, Edinburgh (Map)
McIntosh’s inaugural solo exhibition, in aid of The Scottish Society for Autism, was a huge success in raising awareness for the artist and this important cause. As the title of this exhibition might suggest, every conceivable material of old was incorporated into a work of art, from interesting, bent and battered metal objects to beautiful copper coils. Splashed with colourful health and safety signs, the nod to the original use of the unwanted items on display, revealed McIntosh’s sense of story-telling.
For a virtual tour of the exhibition, click here.

